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Table of contents

Los Angeles County is the bungalow capital of the world. The Greene and Greene designed Craftsman Bungalows in Pasadena are considered the apex of this style. The California and Craftsman Bungalow was very popular in Fullerton from to Many are located in the historic housing areas of the city. Good examples of this style in Fullerton include the Livingstone House at W. Benchley House at N. Harbor Boulevard; the Stuelke House at E. Chapman Avenue; the residence at E.

Orangethorpe Avenue; the Lyon House at E. Commonwealth Avenue; and the Otto House at N. Balcom Avenue. Livingston House W. Valencia Drive. Fuller House Hillcrest Drive. Jacob Yaeger House E. Elm Avenue. Edward K.

Benchley House N. Harbor Boulevard. Clarence Spencer House W. Orangethorpe Avenue. All rights reserved. Last updated September Connect with Fullerton Heritage. California and Craftsman Bungalows The Arts and Crafts movement began in England in the s as a protest against the excesses of Victorian architecture. Straub was changed by the loss of Sylvia, losing much of his vitality in his later years.

California Architecture for the Casual Traveler

In , Calvin Straub arrived in College Station for his university and military education. On December 7th of that year, he was in Independence, Texas with Professor Bill Caudell and two other students looking at old regional buildings. They heard on the radio that Pearl Harbor had been attacked.

Statement of Intent or Manifesto

This was a program that allowed him to finish his education while awaiting deployment. He graduated as an Ensign in and report to his ship, L. In , after his tour of duty, Straub arrived back in Pasadena, California armed with confidence and serious intent to resume his pursuit of architecture.

At this time, USC was the leading architectural school in California, and a hotbed of new ideas brought about by the aftermath of the war. Ideas about how architecture should respond to social issues such as the population boom in Los Angeles and the need for low-cost housing built with limited resources.

After borrowing a set of plans as an example from Richard Neutra he began to design. He built his cottage in He developed for them a post and beam structural system. Experimenting by trial and error the final product was light weight, yet ridge utilizing large expanses of glass.

Calvin C. Straub FAIA (1920-1998)

A design vocabulary birthed in the LA Basin in the late forties through early sixties of the twentieth century. This synthesis was informed by a principle based design philosophy rather than aesthetics or technological advancements. Calvin C. His designs where born of craft not technology, inspired by natural materials, informed by a personal artistic expression yet firmly committed to principles of humanism, function, responsive to the patron; for the pleasure of use. Like other regional modernists, he adopted a pragmatic approach, eschewing the dogmatic rigidity found in the purest forms of both the Arts and Crafts and Modernist movements.

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Architecture is for life and pleasure and for people. The picture frame, and not the picture. In Straub moved to Arizona and began teaching at Arizona State University and practising architecture in the region.

His later works contributed to the development of the Sonoran Desert regional vocabulary yet maintained the same principles of his earlier work. He also travelled the world extensively for his World Architecture lecture course. It was attended by over 12, students.

Seattle architect builds simple home inspired by own bio

His travels drooped into the western architectural design vocabulary forms and world architectural influences. This roof form swept across the architectural landscape and is arguably the first use of this Polynesian inspired roof form in a modern western structure. He felt that the ideals expressed in this youthful manifesto had retained their validity for him into the twilight of his career.

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Toward a Simpler Way of Life: The Arts & Crafts Architects of California

A study of his works should reflect these principles again and again: [11]. It should be an inspiring background for living, not a monument. To live and to build. Criteria are; serenity, unobtrusiveness and avoidance of self-conscious pretentiousness. These observations by Calvin C. Straub on the western home perhaps most clearly define his work, his contribution to architecture and that of those contemporaries who shared similar principles.


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Hensman, D. Struab, Richard A.